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Reign of Fire ...
Described as haunting, nocturne-like, and emotionally-charged, Reign of Fire has been compard to Liz Story and Keith Jarrett. While stargazing in the mountains near Sapello, New Mexico in 1993, Novak was moved by the the stars' unchanging appearance that hide a cycle of birth and death stretching through enormous reaches of time. Naturalistic rather than astrological, each of the 16 piano compositions in Reign of Fire is linked to a star chosen for the legends surrounding it, the time of its yearly appearance, and the stage of its own immense life cycle. Each star, in turn, reflects a season of personal experience.


1000-1 (CD)

All music composed and performed by Jeannie Novak
Produced by Jeannie Novak
Album design by Jeannie Novak & Pete Markiewicz
Cover photo: Daniel Hayes Uppendahl

Play "Mizar" from Reign of Fire -->

(Additional audio from this CD available here)

About The Album

Divided into four suites, the album opens with the innocent, birth-themed music of Spring ("Regulus/ Emergence," "Mizar/Discovery," "Algol/Shadow," and "Spica/Magic"). The music then moves to the exploration of late childhood in Summer ("Vega/Carnival," "Altair/ Friendship," Deneb/Passion," and Antares/Wave"). The third suite illustrates the eventful passage through early adulthood in Autumn ("Polaris/Vision," "Fomalhaut/Solo," "Alpheratz/Duet," and "Aldebaran/ Night"). The final suite, Winter, explores the introspection in life's later stages ("Bellatrix/Horizon," "Capella/ Reflection," "Mira/Freedom," and "Achernar/Transformation"). Information about the stars for each of the pieces listed below comes from the following works: Star Names: Their Lore And Meaning (Richard Hinckley Allen), and The Friendly Stars (Martha Evans Martin & Donald Howard Menzel). Star images are subjective--based on descriptions, imagination, and personal observation.

Description of each piece and a star map are on the starlore page...

Special thanks to all who helped my album finally get off the ground, including my loyal business partner Pete Markiewicz, my very supportive brother Chris Grote, and my friend Michael Grodsky. Thanks also to Daniel Hayes Uppendahl for the great photo session, Ivor Francis for bartering with me, Betty Leverenz for allowing me to do jazz variations on classical pieces and sightread all her '50s music, and to my parents MaryLou Novak and Richard Grote for the little organ from "Santa Claus!"

This album is dedicated to the memory of my mentor, Stephen Dewse.

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